Link in Bio, 2020. While decontextualizing a contemporary social media colloquialism, Link in Bio utilizes a variety of substrates and takes the reader on a personal time warp through communication technology in a way that questions the book and page, as well as digital and analog archives. Link in Bio is a homage to the library and a consideration of how we ended up at this particular juncture. Created using color separations on a Xerox C60. Work in progress to be editioned this year. 8.75 x 11.25 x 0.75”.
Convers(at)ion, 2019. Letterpress printed on handmade overbeaten abaca paper, using polymer shapes and type. The French Doors structure allows pages and voices to overlap, creating a singular dialogue emphatic of loss that is echoed by the shapes cut out from each page. Housed in a custom enclosure. Edition of 3 with 2 APs. 9 x 5.75 x 0.25”.
Inchy, 2019. Small in stature, large in heart. Printed with master printer Amanda D’Amico using offset lithography at the Borowsky Center for Publication Arts at the University of the Arts in Philadelphia, PA and subsequently bound by hand. Inchy is either a codex or a flipbook, offering a visual accompaniment to Adrienne Rich’s poem, “For Memory”. With thanks to W.W. Norton & Company as well as the estate of Adrienne Rich for their generosity in allowing me to use this poem. Edition of 40. 2.5 x 1.75 x 0.5”.
I Still Think of You, 2018. Letterpress printed on toned Hahnemuhle Ingres and Canson tracing paper. Emo text with a shadow narrative in Morse code. Printed using linoleum, metal type, and polymer. Edition of 15. 9.25 x 5.25 x 0.25”.